Gustav Klimt
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1862  -  1918
Gustav Klimt

Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.

Männlicher Akt ohne Kopf, Hals- und Schulterstudie
Männlicher Akademieakt
Männlicher Akademieakt, Rückenansicht
Männlicher Akademieakt mit verschränkten Armen
Männlicher Akademieakt in Pose
Männlicher Akademieakt in Bewegung
Handstudie um einen Säbelgriff
Die Jugend
Akt eines kleinen Mädchens
Zusammengekauert sitzende Frau, in dunklen Umhang gehüllt (1908-1909)
Sitzend von vorne (1903)
Schwebende vor dunklem Hintergrund (1896)
Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects (c. 1901)
Male Nude (1880)
Table delights, Study for the city theatre in Karlsbad (today Karoly Vary, Cz)
Insel im Attersee (Island in the Attersee) (circa 1901–02)
Portrait of a lady (Marie Breunig) (1894)
Lakeshore With Birches
Church In Cassone – Landscape With Cypresses
Zwei Entwürfe zum Schmuckblatt für Otto Wagner (1911)
The Three Ages of the Woman (1905)
Posthumous Portrait of Ria Munk III (ca 1917 - 1918)
Portrait of Adele Bloch-Bauer I (1907)
Portrait of Friederike Maria Beer (1916)
Portrait of Eugenia Primavesi (1913)
Danae (1907)
Beethovenfries; ‘Die Leiden der schwachen Menschheit’ und ‘Der wohlgerüstete Starke’ (Tafel 3, linke Langwand) (1901)
Hygieia
Organ player (allegory of church music) (1885)
Schloss Kammer am Attersee III (1909-1910)
Nach dem Regen (1898)
Litzlberg am Attersee (1914 - 1915)
Cottage Garden (1905-1907)
Blühender Mohn Mohnwiese (1907)
Bauernhaus in Buchberg (Oberösterreichisches Bauernhaus) (1911)
Woman with fan (1917-1918)
The Black-Feathered Hat (1910)
Study for Judith II (ca 1908)
Sonja Knips (1897-1898)
Portrait of Rose von Rosthorn-Friedmann (1900-1901)
Portrait of Josef Pembaur (1890)
Portrait of Helene Klimt (1898)
Mäda Primavesi (1912–1913)
Josef Lewinsky als Carlos in Clavigo (1895)
Die Leiden der schwachen Menschen (1902)
Dame mit lila Schal (ca 1895)
Dame mit Hut und Federboa (1909)
Dame in Weiß (1917-1918)
Dame en face mit plisiertem Kleid (circa 1898)
Alter Mann auf dem Totenbett (1899-1900)
Head Study of a Girl von Hana
Mädchen im grünen (Girl in the foliage)
Tragödie (1897)
Plakat der 18. Ausstellung der Secession (1904)
Plakat der 1. Ausstellung der Secession (1898)
Nuda Veritas (1898)
Junius (1896)
Expectation (from Tree of Life)
Entwurf für den Theatervorhang in Reichenberg (1873–1893)
Pallas Athene (1898)
Liebe (1895)
Idylle (1884)
Fabel (1883)
Bildnis Emilie Flöge (1902)
Bildnis einer unbekannten Frau (Frau Heymann) (1884–1904)
Serena Pulitzer Lederer (1867–1943) (1899)
Tranquil Pond (Egelsee near Golling, Salzburg) (1899)
Rosebushes under the Trees (circa 1905)
Beech Grove I
Attersee (1900)
Approaching Thunderstorm (The Large Poplar II) (1903)
Death and Life (1910-15)
Blind Man (1896)
Seated Young Girl (1894)
Sunflowers (1883)
Cottage garden with sunflowers (1907)
Judith (1901)
Adam And Eve (1916)
Girlfriends (water snakes I) (1904)
Avenue to the Kammer Castle (1912)
The kiss (lovers) (1908)
Hope, II (1907 - 1908)
Baby (Cradle) (1917-1918)
Mother with two children (family) (1909)
Male act (1883)
Johanna Staude (1917)
Fritza Riedler (1906)
Amalie Zuckerkandl (1917)
Sitzende Dame von vorne (Seated Lady Face-On)
Halbakt mit eingebeugten Knien (Semi-Nude Woman with Bent Knees)
Aktstudie für die Rechte Figur in ‘der Braut’ (Nude Study for the Right Figure in ‘The Bride’)
Sitzender Akt nach links (Seated Nude Turned to the Left)
Liegender Halbakt nach rechts (Reclining Semi-Nude Facing Right)
Im Lehnstuhl sitzend von vorne (Seated in an Armchair Seen Head-On)
Akt (Nude)
Akt nach links, die Hände ineinandergeiegt (1903-04)
Standing woman with raised right arm (1897-98)
Portrait of a young man (c. 1879)
Lady portrait bust to the right, head turned to the front (1917-18)
Hand studies for the kneeling maenad in the ‘Altar des Dionysos’ (1886-87)